blueprint no.129, june 1996 [UK]
[ extracts from ] feature on peter maybury by michelle ogundehin

Coded
Communication.
Peter Maybury has enlivened Dublin's graphic design scene with his startling
work for the magazine .
By Michelle Ogundehin.
Controlled maelstroms of text and pictures reverberate around invisible lines
of tension; letterforms and
headlines dance carefully orchestrated ballets through otherwise quiet layouts;
images of circuit boards,
binary codes, hands, dots and dashes are liberally sprinked across spreads.
Such devices characterise the
graphic design of 27-year old [!] Irishman Peter Maybury. It is in his art direction
of Code - the Dublin-based
underground magazine of popular culture - that the sophistication of these visual
tricks shows most clearly
and distinguishes the magazine from the plethora of low-budget culture-zines
in Great Britain...
Although the subject matter of Code is diverse, its look is uniformly complex.
Since Maybury designs
intuitively, his ideas are often conceived in response to the everyday, the
copy he reads, or gut instinct...
Maybury encourages connections between features. Occasionally it is difficult
to tell where one features
ends and another begins (he also designs the majority of its adverts) - not
because the text is illegible,
but because the junctions between them are negligible, especially without the
visual pauses provided by
clear advertising breaks .
[His] work is underpinned by a pragmatic yet playfully intelligent rigour...
He often often creates a tension
in his work by hinting at a set of rules to divide and allocate the white space
of a design, then deliberately
breaking those rules by shifting the margins, pictues or text - the results
are less a crisp one-liner than a
complex and creative visual sampling of ideas.